ART HISTORY 11

FINAL REVIEW

 

SLIDES TO REVIEW:

 

Chapter 22:     2, 3, 4, 5, 6, 9, 10, 14, 18, 20, 23, 29, 30, 35, 37, 39, 45, 46, 47, 49, 50, 51, 54, 59, 68,

                        72, 73, 77, 81.

 

Chapter 23:     1, 3, 4, 6, 8, 11, 12, 15, 16, 17, 23, 25, 28, 29, 30, 31, 34, 35, 36, 37, 38, 40, 44, 52, 54,

  57, 59, 65, 66, 73, 81, 83.

 

Know what movement or style is associated with each artists:

Chapter 22:

1. Brancusi           2. Magritte               3. Matisse                   4. Aaron Douglas

5. Kirschner          6. Dali                      7. Beckmann               8. Duchamp

 

9. Gropius            10. Stieglitz             11. Kandinsky          12. Miro          13. Klee

 

Chapter 23:

1. Rothco           2. Ringgold                  3. Maya Ying Lin          4. Anselm Keifer

5. Christo       6. Pollock        7. Donald Judd      8. Jasper Johns      9. Judy Chicago

10. Helen Frankenthauler      11. Lichtenstein    12. Audrey Flack      13. Joseph Beuys

 

Be able to identify these periods or movements by definitions:

1. Renaissance                  2. Baroque               3. Mannerism             4. Rococo

5. Romanticism                6. Neoclassicism     7. Realism                   8. Impressionism

9. Post-Impressionism     10. Fauvism           11. Die Brucke           12. Cubism

13. Abstraction                14. Dadaism            15. Surrealism            16. Synthetic Cubism

17. Futurism                    18. Regionalism      19. Abstract Expressionism or "Action Art"

20. Pop Art             21. Neo-Expressionism        22. Performance Art     23.  Photo Realism

24.  Know the significance of "The Armory Show".

           

 

STUDY DEFINITIONS FOR FINAL

 

 

 

1.   Paintings done with wild bold colors which did not imitate nature  (Referred to as ÒWild

            BeastsÓ)

 

2.   A revival of interest in Greek & Roman art in the late 18th century.

 

3.   Experimenting with line, pattern, form & color; one of the artists was Cezanne.

 

4.   A movement that believed the path to freedom was through ÒimaginationÓ and ÒfeelingÓ,

      & reflected the ideas of Voltaire and Rousseau.

 

5.   Art produced in the style of a previous artist with an emphasis on staged, contrived

      imagery. (Some artists elongated the bodies).

 

6.   The birth of a new artistic culture, focusing on humanism and reviving classical values.

 

7.   Brought information about European artistic developments to the United States.

 

8.   Has reference to the natural world, but doesnÕt try to duplicate it exactly.

 

            9.  German Expressionists who saw themselves as a ÒbridgeÓ between the past & the future.

 

10.  Art that rejected naturalistic depictions, preferring geometric shapes and forms abstracted

       from the perceived world.

 

11.  Term from a Portuguese term meaning Òirregular shaped pearlÓ; an epoch where art was

         ÒtheatricalÓ and showed great movement & energy.

 

12.  Associated with Gustave Courbet; paintings about actual people & things in the world.

 

13.  A movement that reflected a revulsion against the absurdity and horror of WW I –

         rejected all art.

 

14.  Art mainly produced for the court & depicted the leisurely life of the wealthy.

 

15.   Art of the world of dreams and the unconscious.

 

16.  Promoted by a militant group of Italian artists championing the modern age of steel,   

            movement  and speed.

 

17.  Paintings constructed from objects & shapes cut from paper or other materials to

         represent parts of a subject.

 

 

 

 

18.  A twentieth century American movement that rejected avant-garde art and portrayed

       rural American art.

 

19.     Painting that was done quickly to capture light, color, atmosphere & the instant moment.

 

            20.  ÒActionÓ painting that was associated with Jackson Pollock, involving movement by the

                        entire body.

           

21.   Painting that could be mistaken for a photograph.

 

22.  Art that related to the popular culture and advertising.

 

23.  Works in which movements, gestures, and sounds of persons communicating with an                  audience replace physical objects.

 

24.  A reflection that occurred in the 1970Õs that reflected German Expressionism.